Tuesday, 30 August 2011
The expeditions begin...
Host A Brooch took off to a roaring start with a full contingent of dedicated urban jewellery adventurers. The first weekend's participants included solo explorers, couples, and wear+photographer teams and whole families. Some had stumbled across the project by chance, while others specifically came out to 'host a brooch'. Initially, we suggested people embark on individual adventures so as to immerse themselves fully in the project. However many pairs and groups proved that sharing the adventure intensified peoples' excitement and experimentation and generated dialogue about the changing city. Although the project's format was unusual, the broad range of visitors - ranging from elderly women and children to the tradies setting up the events tents - all embraced the concept.
Each adventure began by drawing a number to see which brooch to wear. This worked on the theory that a surprise selection might lead to a more novel experience of the city. Each person was equipped with 'user manual' and briefed for their adventures in the city... They were asked not to plan a route, but to "see where the brooch takes them", and along the way to notice and document the connections that arise with their surroundings.
Returning from their adventures, everyone was enthusiastic and energised, reporting increased attention to detail and sense of connection with their surroundings. For some, the city became highly colourised. For others, overlooked shapes, structures and tiny details jumped out. Some participants were highly aware of visual phenomena; others aural. In most cases the brooches drew attention to a range of both biological and architectural or mechanical structures. For some, the project brought about mixed feelings: as a positive counterbalance to the doom and destruction experienced during the past months, and a cathartic way of reconciling sadness and fear (see our first participant's video response). For others the adventure had nothing to do with the earthquakes whatsoever.
In each case, the act of taking photos honed people's perceptions and providing insight into each person's view-of-the-world-through-the-brooch. Conversations developed about: the future of the city; peoples' individual experiences of the city; the rapid pace of change in the city; potential materials for jewellery; enjoyment of seeing beauty in things usually overlooked; the sense of loss experienced by inner city families; and their enjoyment of reacquainting themselves with the city.
Many people also commented that they felt both compelled and permitted to behave freely and unconventionally: lying on tram tracks, posing with policemen, lying on the grass to take photos and wrapping themselves in mesh.
Thank you for all your thoughtful responses.
Monday, 29 August 2011
The expeditions begin...
Host A Brooch took off to a roaring start with a full contingent of dedicated urban jewellery adventurers. The first weekend's participants included solo explorers, couples, and wear+photographer teams and whole families. Some had stumbled across the project by chance, while others specifically came out to 'host a brooch'. Initially, we suggested people embark on individual adventures so as to immerse themselves fully in the project. However many pairs and groups proved that sharing the adventure intensified peoples' excitement and experimentation, and generated dialogue about the changing city.
Although the project's format was unusual, the broad range of visitors - ranging from elderly women and children to the tradies setting up the events tents - all embraced the concept.
Each adventure began by drawing a number to see which brooch to host. This worked on the theory that a surprise selection might lead to a more novel experience of the city. Each person was equipped with 'user manual' and briefed for their adventures in the city... They were asked not to plan a route, but to "see where the brooch takes them", and along the way to notice and document the connections that arise with their surroundings.
Returning from their adventures, everyone was enthusiastic and energised, reporting increased attention to detail and sense of connection with their surroundings. For some, the city became highly colourised. For others, overlooked shapes, structures and tiny details jumped out. Some participants were highly aware of visual phenomena; others aural. In most cases the brooches drew attention to a range of both biological and architectural or mechanical structures. For some, the project brought about mixed feelings: as a positive counterbalance to the doom and destruction experienced during the past months, and a cathartic way of reconciling sadness and fear (see our first participant's video response). For others the adventure had nothing to do with the earthquakes whatsoever.
In each case, the act of taking photos honed people's perceptions and providing insight into each person's view-of-the-world-through-the-brooch. Conversations developed about: the future of the city; peoples' individual experiences of the city; the rapid pace of change in the city; potential materials for jewellery; enjoyment of seeing beauty in things usually overlooked; the sense of loss experienced by inner city families; and their enjoyment of reacquainting themselves with the city.
Many people also commented that they felt both compelled and permitted to behave freely and unconventionally: lying on tram tracks, posing with policemen, lying on the grass to take photos and wrapping themselves in mesh.
Thank you for all your thoughtful responses.
Although the project's format was unusual, the broad range of visitors - ranging from elderly women and children to the tradies setting up the events tents - all embraced the concept.
Each adventure began by drawing a number to see which brooch to host. This worked on the theory that a surprise selection might lead to a more novel experience of the city. Each person was equipped with 'user manual' and briefed for their adventures in the city... They were asked not to plan a route, but to "see where the brooch takes them", and along the way to notice and document the connections that arise with their surroundings.
Returning from their adventures, everyone was enthusiastic and energised, reporting increased attention to detail and sense of connection with their surroundings. For some, the city became highly colourised. For others, overlooked shapes, structures and tiny details jumped out. Some participants were highly aware of visual phenomena; others aural. In most cases the brooches drew attention to a range of both biological and architectural or mechanical structures. For some, the project brought about mixed feelings: as a positive counterbalance to the doom and destruction experienced during the past months, and a cathartic way of reconciling sadness and fear (see our first participant's video response). For others the adventure had nothing to do with the earthquakes whatsoever.
In each case, the act of taking photos honed people's perceptions and providing insight into each person's view-of-the-world-through-the-brooch. Conversations developed about: the future of the city; peoples' individual experiences of the city; the rapid pace of change in the city; potential materials for jewellery; enjoyment of seeing beauty in things usually overlooked; the sense of loss experienced by inner city families; and their enjoyment of reacquainting themselves with the city.
Many people also commented that they felt both compelled and permitted to behave freely and unconventionally: lying on tram tracks, posing with policemen, lying on the grass to take photos and wrapping themselves in mesh.
Thank you for all your thoughtful responses.
Sunday, 28 August 2011
The first participant: A touching response.
Our first participant happened upon the project by chance. She chose to make movies along the way of her adventures. She commented "When I started out on my walk this afternoon I was feeling a little bit morose, but then I came across the Host A Brooch Expedition and now I'm feeling a little bit chirpy". It's great to think we're making a small positive difference in Christchurch.
Thursday, 25 August 2011
A SNEAK PREVIEW
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Host A Brooch brooches (2011) by Jacqui Chan. Photography Jeremy Dillon + Jacqui Chan. |
Remember your camera (a snap camera or phone is easiest) and comfortable shoes.
For more info see How To Take Part
Tuesday, 23 August 2011
Tuesday, 16 August 2011
WARMING UP FOR THE LAUNCH
Join us for the launch of Host A Brooch on Friday 26th August, 4.30-7pm.
For a copy of the media release click here.
For a copy of the media release click here.
Sunday, 14 August 2011
THE FIRST EXPEDITION
Reimagining the city in front of Ash Keating's Gardensity project, outside Christchurch City Art Gallery. |
Click here for more photos on the Host A Brooch facebook page.
Come along and have your own urban adventure.
Monday, 1 August 2011
ABOUT HOST A BROOCH
The Host A Brooch 'depot' is located in a converted shipping container. Operating like a bike-sharing system, the public are invited to 'host a brooch' on an urban adventure. Just as a bicycle transforms our experience of a city – producing new sensory experiences, routes and encounters - jewellery also alters how we encounter a city.
Walking around the city, the body becomes the vehicle for a mobile intervention. The brooches claim a prominent position on the body, demanding attention and provoking conversation. As remnants of the city, they also draw attention to overlooked aspects of one’s surroundings, evoking material histories and connecting us with the material ecology of the city.
Taking part, the goal is to wander the streets aimlessly. See where the brooch takes you. See what happens - like a Situationist psycho-geography. On your adventures, take photos showing how the brooch connects you to your surroundings.
Over the six weekends, each brooch is worn by multiple people, resulting in a myriad of different experiences. Wearers are asked to document their experiences with photos and notes. These accumulate in the exhibition, becoming a cartography of these jewellery-led adventures.
Host A Brooch is one of many projects that are currently exploring ways of reinvigorating Christchurch city through the arts. Although architectural and infrastructural change will take time, the arts can respond more immediately to reinject life into the city.
A catalogue will be produced to document the project.
Contact us (hostabrooch@gmail.com) to request a copy.
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